Enter the Mothership: artist Yto Barrada's Tangier garden | Tate

The Mothership is a garden on the Strait of Gibraltar, and yet much more than that. It's a residence, and a retreat, a dye garden, an experimental lab and a family home. It's a place where artists, gardeners, writers and poets can find the time and space to restore themselves, to work and study. In this film, artist Yto Barrada invites us into the Mothership as well as to the Cinémathèque de Tanger, two important centres of art and 'inventivity' in the city of Tangier, Morocco. Subscribe for weekly films: http://goo.gl/X1ZnEl

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Step inside the Barbara Hepworth Museum and Sculpture Garden | Tate

Explore the work of Barbara Hepworth through her home, studio, and garden. Barbara Hepworth first came to live in Cornwall with her husband and their young family at the outbreak of war in 1939, living and working in Trewyn studios – now the Barbara Hepworth Museum – from 1949 until her death. Following her wish to establish her home and studio as a museum of her work, Trewyn Studio and much of the artist’s work remaining there was given to the nation and placed in the care of the Tate Gallery in 1980. 'Finding Trewyn Studio was a sort of magic’, wrote Hepworth. ‘Here was a studio, a yard and garden where I could work in open air and space’. You can hear more about Hepworth's life and work on Tate Story Player: https://ift.tt/FXV8ZIp Subscribe for weekly films: http://goo.gl/X1ZnEl

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Four ways to cultivate a unique taste in music in the age of streaming algorithms


One of the positive things about modern media is that artists can now get their music into the world without having to first impress industry executives. The downside, though, is that with pretty much everything available at the click of a button, we are faced with an overwhelming burden of choice.

In your 20s and 30s, when you’re still discovering and defining your music taste, this can leave you feeling paralysed by the indecision of what to listen to, and prevent you from developing a taste that’s uniquely yours.

That’s why so many of us rely on the algorithms built into our favourite streaming services, like Spotify or Apple Music, to decide for us. We allow these platforms to create playlists or make recommendations for us, which may prevent us from being overwhelmed with choice – but also means we’re becoming more and more disengaged with actually choosing what we listen to.

Quarter life, a series by The Conversation

This article is part of Quarter Life, a series about issues affecting those of us in our 20s and 30s. From the challenges of beginning a career and taking care of our mental health, to the excitement of starting a family, adopting a pet or just making friends as an adult. The articles in this series explore the questions and bring answers as we navigate this turbulent period of life.

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Most recommendation systems are built on the historical data of their users. By design, they mostly reinforce or support the preferences we already have. This means that by relying on algorithms, we become less adventurous in our listening.

There’s also what machine-learning researcher Arya Mohan calls “the cold start problem”, where new songs fail to get recommended due to a lack of listening data, which leads to popular songs monopolising algorithm recommendations.

Here are four ways that you can regain your autonomy, try new things and avoid getting stuck in an algorithmic loop.

1. Listen to the radio

Although listening to radio shows involves being fed whatever is deemed worthy of rotation at the time, the playlist is, at least, curated by humans rather than bots.

There’s also the tantalising prospect of joining a song midway through, without any knowledge of who’s performing it. That way you engage with the music itself and are forced to listen to the end if you want to know the artist’s identity. This is possible with algorithm-produced playlists too, of course, but the temptation is always there to steal a glance at your phone or laptop to see whose song it is.

2. Read reviews

Reading music reviews, either in magazines and newspapers or online, can be a great way to discover new material. Although the time-sensitive nature of critiquing music does sometimes produce rushed opinions.

You’ll know you’re reading a reliable source if the reviewer is making reference to specific aspects of an album, such as lyrical or music passages. If they’re writing in broad strokes about general sound, theme or production, it’s likely they haven’t had the time to give it a real chance.

young woman lying down listening to vinyl
Going analogue can be a good way to escape the algorithm. Natalia Bostan/Shutterstock

3. Try word of mouth

Depending on what kind of person you are, if there’s a “must listen” artist, album, or song that’s sweeping through your group chat, it might go two ways.

One: you’ll listen straight away in the hope of sharing the exuberance. Or two: you’ll set your stubborn-ometer to max and reject it without even hearing a single note.

Having done both at various times over the years, I would recommend putting your faith in a couple of friends whose musical judgment you trust and tuning out the rest.

4. Browse your local music store

We’re told from an early age never to judge a book by its cover, but as some album art is important enough to be considered a key piece of the overall musical puzzle, a wander down the aisles of a music shop (if you can still find one) can be great for letting your eyes choose your next listen.

I’ve written previously about how expensive hard copy music can be, but for every over-priced vinyl, there’s a bargain bin to rummage through, so let your wallet have a say in your next listen, too.

Having music in a tangible format, whether vinyl, CD or cassette, forces you to become more active in the listening process because you actually have to do something beyond clicking or scrolling. This in turn may lead to a deeper and more contemplative connection with the music you listen to.

With the sheer convenience of their endless “for you”, and “have you tried?” playlists, it’s no wonder streaming services are dominating the way we consume music. But if you can be bold enough to seize back control of what you listen to, it’s well worth the inconvenience.

Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.The Conversation

Glenn Fosbraey, Associate Dean of Humanities and Social Sciences, University of Winchester

This article is republished from The Conversation under a Creative Commons license. Read the original article.

"I needed to remember me" – Zanele Muholi on their series Somnyama Ngonyama | Tate

Listen to artist Zanele Muholi introduce their series of powerful self-portraits, Somnyama Ngonyama. These images are acts of resistance, wi...