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Vintage Trouble - Not Alright By Me (We Cant Wait) 2020

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READING SCHEME by Wendy Cope

Here is Peter. Here is Jane. They like fun. Jane has a big doll. Peter has a ball. Look, Jane, look! Look at the dog! See him run! Here is Mummy. She has baked a bun. Here is the milkman. He has come to call. Here is Peter. Here is Jane. They like fun. Go Peter! Go Jane! Come, milkman, come! The milkman likes Mummy. She likes them all. Look, Jane, look! Look at the dog! See him run! Here are the curtains. They shut out the sun. Let us peep! On tiptoe Jane! You are small! Here is Peter. Here is Jane. They like fun. I hear a car, Jane. The milkman looks glum. Here is Daddy in his car. Daddy is tall. Look, Jane, look! Look at the dog! See him run! Daddy looks very cross. Has he a gun? Up milkman! Up milkman! Over the wall! Here is Peter. Here is Jane. They like fun. Look, Jane, look! Look at the dog! See him run! For my thoughts on poetry click here .

A NEW VIDEO ARTS PLATFORM

SVOX.TV is a new channel for film and video arts showcasing an array of extraordinary work produced as part of the output from artists, artist collectives, creative studios and broader practices. It is a celebration of the diversity of content, genre, subject matter, method, narrative, and storytelling. It serves as both documentation and storytelling; a final realisation of ideas, a form of artistic investigation, and exploration into philosophical and abstracted notions, and an archive.

In Focus | Edinburgh Castle and the Nor' Loch by Alexander Nasmyth

Open Call: The Bomb Factory Artist's Film Festival

"The Bomb Factory Art Foundation is delighted to announce the return of our Artist's Film Festival. Following an impromptu hiatus, we will once again be looking for short film or video submissions that are exhilarating, experimental, sad, funny, mind-blowing or whatever artists exploring the vast potential of the moving image come up with. We are asking applicants to submit work via an open call . All works considered must be a maximum of five minutes in duration. Works made with a production team are welcome, but you must be the lead creative behind the project - see submission form for further info ." Deadline for Submissions: 4/12/20 Screenings: TBC

How Greek musicians weathered an economic crisis could help UK performers handle COVID fall-out

Ioannis Tsioulakis , Queen's University Belfast On the evening of Sunday December 13 the president of the Greek Musicians’ Union stood in front of an empty auditorium at the Athens Music Hall, as thousands watched at home. Opening a virtual concert in support of music workers , his words were emotional – but firm: We want to make known that the music we love and keeps us company in our most difficult and most beautiful moments, is the result of a complex form of labour, which takes toil, sacrifice and dedication. The idea that musicians are workers is self-evident – yet somehow often disregarded. As a recent controversy involving the BBC has brought to the fore once again, employers, organisations and the state frequently assume that musicians will perform unpaid , merely for “exposure”. My research on Greek musicians over the past 15 years has shown that work in artistic performance is as precarious as it is enjoyable. Musicians all over the world see creative opportunity

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