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Vintage Trouble - Not Alright By Me (We Cant Wait) 2020

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READING SCHEME by Wendy Cope

Here is Peter. Here is Jane. They like fun.
Jane has a big doll. Peter has a ball.
Look, Jane, look! Look at the dog! See him run!

Here is Mummy. She has baked a bun.
Here is the milkman. He has come to call.
Here is Peter. Here is Jane. They like fun.

Go Peter! Go Jane! Come, milkman, come!
The milkman likes Mummy. She likes them all.
Look, Jane, look! Look at the dog! See him run!

Here are the curtains. They shut out the sun.
Let us peep! On tiptoe Jane! You are small!
Here is Peter. Here is Jane. They like fun.

I hear a car, Jane. The milkman looks glum.
Here is Daddy in his car. Daddy is tall.
Look, Jane, look! Look at the dog! See him run!

Daddy looks very cross. Has he a gun?
Up milkman! Up milkman! Over the wall!
Here is Peter. Here is Jane. They like fun.
Look, Jane, look! Look at the dog! See him run!

For my thoughts on poetry click here.

Royal Ulster Academy of Arts Features Artist Brian Parker

The exciting announcement that the Royal Ulster Academy of Arts Exhibition will be continuing this October, and the contemporary visual artist Brian Parkeris proud to be exhibiting and using the opportunity as a chance to return to Ireland and discover more about his Irish ancestors.Fine art is such an important culture for us all to embrace during these difficult times, visiting exhibitions, viewing artworks and escaping just for a moment into the canvas. Parker’s work concentrates on colour & form and his entry for the exhibition ‘Light into the Dark’ highlights this well.

Dylan Thomas: ‘lost’ fifth notebook reveals how the great Welsh poet changed his style

New insights: Dylan Thomas’s fifth notebook shows how the poet’s creative process developed. Photo by John Gay © National Portrait Gallery, LondonJohn Goodby, Sheffield Hallam University It’s the dream of every researcher to get their hands on a hitherto-unknown manuscript by the author in whose work they specialise. As you’d imagine, most never realise that dream. But on December 9 2014 at Sotheby’s auction house in London, I was lucky enough for it to happen to me. A school exercise book that had once belonged to Dylan Thomas, filled with 16 of his poems in his handwriting, was bought by my then-employers, Swansea University, for £85,000 and given to me to edit. A PhD student, Adrian Osbourne, was funded to help me in my labours. A greater honour, and a more daunting, more thrilling task, would have been hard for either of us to imagine.To begin at the beginning, however, some context. From April 1930, aged 15, Thomas began copying his completed poems into a series …

The Quarrel by Katherine Mansfield

Our quarrel seemed a giant thing,
It made the room feel mean and small,
The books, the lamp, the furniture,
The very pictures on the wall--

Crowded upon us as we sat
Pale and terrified, face to face.
"Why do you stay?" she said, "my room
Can never be your resting place."

"Katinka, ere we part for life,
I pray you walk once more with me."
So down the dark, familiar road
We paced together, silently.

The sky--it seemed on fire with stars!
I said:--"Katinka dear, look up!"
Like thirsty children, both of us
Drank from the giant loving cup.

"Who were those dolls?" Katinka said
"What were their stupid, vague alarms?"
And suddenly we turned and laughed
And rushed into each other's arms.

Performing in winter: creating COVID-safe super venues and sharing the stage

Tuur Tisseghem/Pexels, CC BY-SA Neil Thomas Smith, Maastricht University You pass through a wide doorway to a large space with good air circulation. Inside, an usher behind a screen scans your ticket and sends you onward. Signs on the carpet direct you to the large auditorium, which is arranged in clusters of seats, one per household. In the middle of the room, the stage is set for a full orchestra. Tomorrow the same stage will be used for a theatrical production. The lights go dim; the music starts.If we think creatively, such a situation could become reality. The arts sector is in a dire state, and Andrew Lloyd Webber and Paul Whitehouse, among others, continue to plead for venues to reopen on behalf of the embattled theatre sector and its many jobs. But winter is coming and with it the unappetising prospect of a second spike of coronavirus cases. Things are likely to get worse before they get better. With many audience members over 65, it is not just a question of R values and daily …

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England; land of the monster (2020)
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Birthday girl
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If you fear socialism
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