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posted on 23.2.17

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If you can't bear to watch the video you might like to listen to the original tune that inspired the making of the video and is its soundtrack:

Coronavirus: five musicals chosen by a musicologist to keep you going during lockdown

Romance on the High Seas.
Warner Bros

Dominic McHugh, University of Sheffield

In the golden age of Hollywood, people turned to musicals for comfort and distraction. To watch and listen to Ann Miller or Doris Day perform Irving Berlin’s song Shakin’ the Blues Away in their respective appearances in Easter Parade (1948) or Love Me or Leave Me (1955) is to put our own cares and woes on hold – if just for a minute – while we respond to their charm and talent, as well as the sheer kinetic energy of their performances.

And whether it’s Louis Armstrong and Bing Crosby duetting in High Society (1956) or the virtuosity of the Nicholas Brothers’ dance routine in Stormy Weather (1943), the movie musical has an enduring ability to soothe our minds and engage our brains. These were the brilliant products of the “Dream Factory” – as Hollywood was known during the studio era, when teams of composers, performers, choreographers, directors and designers were paid big salaries simply to produce…

READING SCHEME by Wendy Cope

Here is Peter. Here is Jane. They like fun.
Jane has a big doll. Peter has a ball.
Look, Jane, look! Look at the dog! See him run!

Here is Mummy. She has baked a bun.
Here is the milkman. He has come to call.
Here is Peter. Here is Jane. They like fun.

Go Peter! Go Jane! Come, milkman, come!
The milkman likes Mummy. She likes them all.
Look, Jane, look! Look at the dog! See him run!

Here are the curtains. They shut out the sun.
Let us peep! On tiptoe Jane! You are small!
Here is Peter. Here is Jane. They like fun.

I hear a car, Jane. The milkman looks glum.
Here is Daddy in his car. Daddy is tall.
Look, Jane, look! Look at the dog! See him run!

Daddy looks very cross. Has he a gun?
Up milkman! Up milkman! Over the wall!
Here is Peter. Here is Jane. They like fun.
Look, Jane, look! Look at the dog! See him run!

For my thoughts on poetry click here.

First they came for...

First they came for the Communists,
but I was not a Communist,
so I did not speak out.

Then they came for the Socialists and the trade unionists,
but I was neither,
so I did not speak out.

Then they came for the Jews,
but I was not a Jew,
so I did not speak out.
And when they came for me, there was no one left to speak out for me.

– Martin Niemoeller (1892-1984)

£50000 raised by art cafe since 2015

AN artist has raised more than £50,000 for good causes in four years. ... the Alzheimer's Society, British Heart Foundation and Royal British Legion.

* The full article is published here...

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